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EXTRACTS FROM THE FRENCH ART PERIODICALS AND PRESS
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“… The works of the sculptor are a genuine song to the womanhood. Standing, sitting, lying on the ground women’s figures by means of the bronze plastics actually turn into sensuality. The delicate lines of their bodies blend with the air. Nature is fragile…They need to be taken care of. The visitors’ adoring looks give them the desired protection.
… Volodymyr Odrekhiwskyy likes brass, bronze, wood, stone. Each of these materials gets its own specific sounding”.
“The Hymn to the womanhood”, “Le Courrier”, 13.10.1994
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“… Volodymyr Odrekhiwskyy is the sculptor who is capable of conveying a wide range of human feelings, from sufferings to harmony. He creates his own microworld of plastics with the help of transformed but still real shapes.
… The language of Volodymyr’s sculpture is clear and laconic: he is elusive and refined in his works based on the classic principles and is so close to new figurativeness. The sculptor models his works in rounded, flourishing, changeable shapes which combine in themselves both closeness to abstraction and the ties with reality…”
“Libre champagne”, 29.04.1995
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“… It’s a real pleasure for eyes. Volodymyr Odrekhiwskyy’s sculptures are full of transperancy of the secret woman’s dream. The woman’s beauty in its most refined forms appears in front of a new day…”
“A Meeting of the Artists”, “Le Courrier”, 06.1997
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“… He creates with a pure soul, seeks for the truth, and his sculpture naturally finds its way to the hears…”
“Sisteron-Jurnal”, 28.02.1998
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